09 September 2011

"Phobos Cruise Crazy"



PREVIOUSLY: "To Cruise Or Not To Cruise"

PHOBOS CRUISE CRAZY
By Curtis C. Chen

"You handled that well," Barrett said as Liz pulled off her nitrile gloves.

"Good thing we're out of zero-gravity," Liz said. "There'd be blood everywhere—seriously, can you put the camera away for one second?"

Barrett snapped another picture. "You'll want to remember this later."

"I doubt that."

Liz stuffed her gloves into the biohazard bag being held by a uniformed crewman. She had to admit, there was no shortage of service personnel on board the Dejah Thoris. She could hardly turn around without someone offering to get her a drink or find her an activity.

Princess of Mars Cruises wanted none of its passengers to be bored. They did their best to reduce interplanetary travel time: the spacecraft accelerated for the first half of each voyage, then spun around and decelerated for the rest. That also meant a full day of zero-gravity at midway, which was the highlight of the trip for many people. Unfortunately, some less sober passengers forgot when they were back in gravity and continued moving as if they were still weightless.

This particular man, whose head wound Liz had just sewn up, had attempted to fly down a circular staircase. He was very definitely drunk.

"You're too young to be a doctor," the man slurred, failing to grope Liz with one hand.

She moved out of his reach. "I'm an ICU nurse."

"That's hot. Wanna have dinner with me?"

Barrett leaned forward. "No, she doesn't."

Liz heard a commotion. Another crewman, this one with stripes on his uniform, made his way through the crowd holding a red-and-white plastic case. He stopped next to Liz.

"I'm Doctor Sawhney," he said. "Are you the nurse?"

Liz nodded. "Pulse and respiration normal. Probable concussion, but the bleeding's stopped."

Doctor Sawhney knelt down to examine the drunkard's skull. "Excellent work, Miss—?"

"Chartier."

"Do you always carry a sewing kit?"

"No." Liz nodded at Barrett. "My boyfriend lost a button on his shirt, and we needed to fix it for the formal dinner tonight. We were on our way back to our room when we saw this idiot fall down the stairs."

"Get him to Sickbay. I'll be there in a minute," Sawhney said to the crewmen who were helping the drunkard to his feet. "Thank you, Miss Chartier. I'm sorry I was delayed, but we had a situation in the excursion area."

"What kind of situation?" Barrett asked.

"I'll tell you all about it," Sawhney said, "tonight during dinner at the Captain's Table."

Liz knew exactly how much one of those seats cost. "Oh, we couldn't possibly—"

"It's complimentary," Sawhney said. "For both of you. Who knows what kind of diseases Mr. Midlife Crisis back there is carrying, and how many people he might have infected if you hadn't been here. Please, I insist."

"We'll be there," Barrett said. "Thank you!"

Sawhney walked back to the elevators. Liz glared at Barrett. He shrugged.

"It's the Captain's Table! We might never have the opportunity to do this again."

Liz shook her head. "I sure hope not."

CONTINUED IN "Dinner Conversation"...

EOF

Image: Crossing the November Sky by Luis Argerich, November, 2008

02 September 2011

"Lightning in a Bottle"



LIGHTNING IN A BOTTLE
By Curtis C. Chen

Rebecca snapped the clamshell closed, putting the scanner on standby. "Okay. So you're from a parallel universe. Doesn't mean you're not crazy."

The man sitting across from her nodded. "You've got my ID there. It has a GI holocode. My service number should scan as valid, even if there's no associated personnel file."

"People can forge IDs in this universe," Rebecca said. It was tough to think of the man as an alien; he looked perfectly normal, maybe even handsome. "Tell me again why you're here?"

"To warn you. And to ask for your help." The man pointed at the evidence bag on Rebecca's side of the table. "Have you looked at the microfilm yet?"

"Yeah, we're still working on finding a reader for that. Why didn't you just bring a flash drive? Or a book?"

"Non-living objects larger than a certain size don't travel well between universes. And paper is fragile. We couldn't be sure what technology you had—computer systems are often incompatible, but you can always grind a magnifying lens to read optical film."

Rebecca nodded. He didn't sound crazy, but he could still have a hidden agenda. "Do you want to give me a preview?"

"You've been seeing unusual lightning storms all over your world," the man said. "We know how to track them, because we've been dealing with them too. That's how I was able to target my transit to your universe."

"You know what's causing these storms?"

"They're not natural phenomena."

Rebecca snorted. "Yeah, we kinda figured that out when the lightning strikes started turning entire buildings into flammable liquids."

"They're artificial negatrons."

"What?"

The man shook his head. "Sorry. You call them electrons. These are synthetic particles. Like miniature robots. They've been programmed to form covalent bonds with certain elements—"

"Okay, stop." Rebecca held up a hand. "Now you do sound crazy. Electrons are fundamental particles. They're leptons. They have no substructure."

The man smiled. "I thought you weren't a scientist."

"Shut up," Rebecca said. "It's not possible to make an electron-sized machine. It is not physically possible in any way."

"Eight years ago, you didn't know there was more than one universe," the man said, "and now you're part of a government agency whose sole purpose is to investigate multiversal crimes. Tell me again what's not possible?"

Rebecca felt a headache coming. A bad one. "Fine. Whatever's causing this lightning, you can tell us how to stop it?"

"I didn't say that. I can help you locate and contain it. That's all we've been able to do—trap the negatrons in a vacuum, inside a strong magnetic field, and keep them from interacting with any matter.

"We don't know how to destroy the negatrons. Like you said, they appear to be fundamental particles. We're sharing our data with as many other universes as we can. Maybe your scientists will find something we've missed."

"Great," Rebecca muttered. "This is going to be some more quantum mechanics bullshit."

The man frowned. "What is 'quantum mechanics'?"

Rebecca smiled. "Oh, this is going to be fun."

EOF

Image: The Brindabella Light Show by Prescott Pym, February, 2007

26 August 2011

"Act Two Problems"



ACT TWO PROBLEMS
By Curtis C. Chen

"You're talking about the Mafia?" Libby asked.

"I'm saying they were definitely organized, if you know what I mean," Grant said. "Anyway, I thought they'd tell me to delete the records and then go deal with the girl themselves, but they just wanted me to modify the file. Make it look like somebody else was the father. I figured the happy couple had worked things out, and anyway, you don't say no to these people."

"Who paid you, Mr. Grant?" Libby asked. "Who was the father?"

Grant stared at her. "You can protect me, right? You're going to protect me?"

Something cracked in the distance, and there was a sound of glass breaking. A small red spot appeared on Grant's chest. He looked down and made a whimpering, gurgling noise.

There was another cracking sound. The window beside the couch shattered and spilled glass onto the floor. Grant fell backward into his chair, leaking blood from his mouth and two holes in the middle of his chest.

"Down!" Jake shouted. "GET DOWN!"

He grabbed Libby's jacket collar and pulled her onto the floor, putting the couch between them and the window. Jake looked around the room for better cover. Libby already had her phone out and was calling for backup.

"We need to get out of here," Jake said.

"Are you wearing a shield?" Libby asked.

Jake had already considered using the department-issued emergency force field generator clipped to his belt. He opened his mouth to answer. There was a loud thwack, and a bullet hole appeared in the far wall.

"That's a high-powered sniper rifle," he said. "Nothing except distance is going to protect us."

He got to his feet and helped Libby up into a crouching position. Then Jake drew his weapon and extended his right arm, pointing the Glock ahead of them. He put his left hand on Libby's shoulder and pushed her to the front door. Another bullet smacked into Grant's lifeless body with a wet crunch.

Jake fumbled the car keys out of his pocket and into Libby's palm. "Stay in front of me. Get in the car, get down on the floor."

"I can drive while you shoot," Libby said.

"This guy could be five hundred yards away. I won't even be able to see him." Jake hefted his Glock. "This is just in case he's got friends waiting out front."

Libby nodded. "On three, two, one, go!"

She yanked the front door open and sprinted through it, faster than Jake had expected. They made it across the empty street in a matter of seconds. Libby opened the car door and tumbled inside. Jake followed, slammed the door shut, and powered up the car.

He kept his head below the top of the dashboard as he pulled into the street. Something shattered the back window. He stomped the accelerator and risked looking over the dash to turn the corner at the end of the block. His heart didn't stop pounding until the car was ten blocks away and inside a parking structure.

EOF

Image: Evil rimfire by Mitch Barrie, January, 2007

19 August 2011

"To Cruise Or Not To Cruise"



TO CRUISE OR NOT TO CRUISE
By Curtis C. Chen

Liz's phone always seemed to buzz when she was in the middle of something that required two hands, like changing an IV or catheter. This time it was a protomyelin shunt. She clicked her jaw once to decline the call and finished locking Mr. Carton's collar back into place. He looked up from the bed and grinned.

"That your boyfriend again?" he asked.

"Probably," Liz said. "How's the shoulder today? Still sore?"

"Don't change the subject," Mr. Carton said. "He still trying to get you to go on that vacation?"

"Does everyone in this hospital know everything about my personal life?"

"I demand daily updates from the nurse's station. Answer the question."

Liz sighed. "He's afraid it's going to sell out. Apparently it's a very popular cruise."

Mr. Carton shook his head. "Don't go."

Liz frowned. "You're not going to tell me life is short? I should live with no regrets? All that stuff?"

"You're not an idiot," Mr. Carton said. "Cruises are expensive. And what do you get out of it? Some pictures, a sunburn, probably gain ten pounds 'cause you've got nothing to do but eat. And get ripped off by island tourist traps."

"It's even worse than that," Liz said. "This is an interplanetary cruise. No stops. One week to Mars, one week back—"

Mr. Carton sat up. "Are you insane? Trapped in an enclosed space for two weeks? You'll be lucky if you don't kill each other!"

Liz recoiled. "Calm down, Mr. Carton. Your neck—"

"Listen to me," he said. "I speak from experience. My wife, God rest her soul, convinced me to go on a road trip once. Ten days. Trapped in the same damn car, eating together, sleeping together. We never spent more than a few minutes apart. It was miserable. I nearly divorced her. Hell, I almost left her by the side of the road more than once."

"Lie down," Liz said. Mr. Carton groaned as she helped him. "It can't have been that bad. Weren't you two married for a long time?"

"Fifty-two years, until the cancer took her. But I tell you, that stupid road trip was the toughest ten days of my entire life. If anything had gone wrong—a flat tire, a bad meal, the wrong hotel room... I thought about strangling her more than once."

"But you didn't," Liz said. "You stayed together."

"You're not listening," Mr. Carton said. "We got lucky. It could have ended then, and I wouldn't have had the good life I had with Corrine. Do yourself a favor. Don't risk it. You got a good thing going with this guy, what's-his-name."

"Barrett."

"What kind of a name is that? Don't get me started." Mr. Carton waved a hand. "Trust me. You'll be happier if you don't go. Just be satisfied with what you have, don't ask for more."

Liz pulled the covers up to Mr. Carton's chest and looked at her left hand.

"Get some rest, Mr. Carton," she said. "I need to go make a phone call."

CONTINUED IN "Phobos Cruise Crazy"...

EOF

Image: Sunset Cruise by Evan Leeson, August, 2008

12 August 2011

"Question of the Day"



QUESTION OF THE DAY
By Curtis C. Chen

"How do you want to die?"

He was just a minor demon, from the look of him: one who could only affect very specific objects or events. They'd infested inner cities all over the world in the last few years. Not usually dangerous, just a nuisance.

What made me stop walking was the way he'd asked the question: not as a threat, but very matter-of-fact-ly, almost like a presenter on some chat show. I looked over his rough horns, brick-coloured skin, and tattered clothes. Black hooves poked out the bottoms of his trouser legs.

"That's quite an unusual question," I said.

The demon blinked at me. "It's the only power I have. To affect how a human life ends. You'd think more people might be interested—I mean, you're mortal, aren't you? You've got to die someday. Why not have some say in how it happens?"

I knelt down and dropped a few coins into his battered tin cup. He nodded thanks at me.

"The thing is," I said, "most people don't like to think about dying. They'd like to believe they'll live forever."

"You're telling me," said the demon. "Smoking, having unprotected sex, driving automobiles—some of you are honestly just asking for it, all the time. Thought I'd have more takers. Turns out I got stuck with a bloody worthless power."

"So how does it work?" I asked. "Let's say, for example, that I wanted to die while shagging a supermodel."

"I'm not a bleeding genie." The demon looked rather offended. "It's not the Make-a-Wish Foundation here. I can only affect natural causes, within your own body, right? Say you don't fancy dying of cancer; I can guarantee you die of some other disease."

Something clicked inside my brain. "Hang on. So if I say I want to die of old age—"

"No, it's got to be a specific ailment."

"All right, let's say smallpox then. You're saying if I ask for that, you can fix it so I won't die of anything else? I'd be able to, for example, smoke all I want and not worry about lung cancer, guaranteed?"

The demon wrinkled his snout. "Well, there is a bit of a catch."

"I knew it." A lot of magic had escaped into the world—along with the demons—when Hell froze over, but it was all pretty dodgy.

"You wouldn't die of lung cancer, but you might still get it," the demon said. "You'd still suffer the symptoms. It's not a free pass to live recklessly, without regard for your health."

"Well, what good is it then?"

"I never claimed it was any good." The demon shrugged. "It's what I can do."

I stood up and pulled out my wallet. "Well, thanks for the chat, anyway. Never actually spoken to a demon before." I dropped a fiver in his cup. "Best of luck."

He smiled and scooped the cash out of the cup. "Cheers, mate. You change your mind, you know where to find me."

I shook my head and walked away.

EOF

Image: Scalzi devil (as seen on Whatever and Your Hate Mail Will Be Graded), April, 2007

11 August 2011

Clarion UCSD Write-a-Thon 2011 WRAPUP

Dear 2011 Write-a-Thon sponsors:

Thank you for supporting me and the Clarion Foundation with your tax-deductible donations!

We both exceeded our fundraising goals this year--I received a grand total of $602.19 in sponsorships, and Clarion overall raised nearly $16,500 from all Write-a-Thon participants.

As I mentioned in my irregular progress reports, I am continuing to work on my novel this month, and you can follow my further updates.

You will receive a separate e-mail with your unique digital artifact. If you donated enough for one of my 512 incentives, you'll get another message with details on how to redeem that.

Thanks again, and keep reading 512 Words or Fewer!

EOF

05 August 2011

"Kangaroo Fails"



KANGAROO FAILS
By Curtis C. Chen

I step into the lounge and go blind. I think I make a noise as I close my eyes, and then I notice the overload indicator in the corner of my vision. I move my eyes around until the night vision enhancement switches off. All this I do instinctively, so I don't even feel nervous until I open my eyes and see the three security guards standing in front of me, stunners raised.

The one in the middle and closest to me is a tall woman with cold, pale blue eyes. I wonder if they always look like that, or if it's only when she catches a trespasser. The two men flanking her seem just as unhappy to see me.

"Hands where I can see them," the woman says. Her finger just touching the trigger. She really wants an excuse to shoot me.

I raise my arms slowly. They're much too concerned about a mere trespasser. They were looking for someone. Someone dangerous. The woman is holding her stunner too firmly, and her arms are braced against a nonexistent recoil. She's wishing she had an actual firearm, so she can drop me if I make a move. What the hell is going on?

"Mike, pat him down," she says. The man to her right holsters his weapon and gives me a very thorough frisking. I decide not to make the obvious joke. These guys aren't in the mood.

"He's clean," Mike says.

"Look, I'm sorry," I say, doing my best to sound pathetic. "I—I didn't think anybody would—"

"Shut up," the woman says.

I shut up. She's actually thinking about whether she should shoot first and ask questions later.

"Danny, scan him," she says.

I wonder what kind of scanner a cruise ship's security personnel would have access to. I stop wondering when Danny grabs my head and flashes a penlight in my left eye. The retinal imager strobes for a second, then beeps. Danny looks at it and frowns.

"It's giving me an error," he says.

"Try the right eye," I offer. "I've had surgery." It's not a lie.

"Do it," the woman says.

Danny blinds my right eye for a second, then reads off the result. "Evan Rogers. Passenger list says he's a researcher for the State Department."

The woman seems disappointed, but doesn't lower her stunner.

"What were you doing outside the ship, Mister Rogers?" she asks.

"I just wanted to do another excursion. By myself," I say. "I did a spacewalk yesterday, and it was so amazing, I just wanted to enjoy that—that freedom without a bunch of noisy people all around me. I'm sorry if I caused any trouble."

She mulls this over for a moment, probably trying to decide if I'm lying or not. I'm pretty sure she can't tell. I'm good at my job.

Then she takes one step foward and jams the tip of her stunner up under my chin.

"What the hell were you doing outside the ship?"

Apparently I'm not that good.

EOF

Image: Mooki FAIL by Chuck Olsen, February, 2010

01 August 2011

The End is Near... for the Clarion 2011 Write-a-Thon

This is it! The sixth and final week of the Clarion UCSD workshop, and also the last days when you can donate to this year's Write-a-Thon.

Why should you care? I can't say it any better than Mishell Baker already has:
http://clarionfoundation.wordpress.com/2011/07/31/2011-write-a-thon-week-6/

And now, the more specific incentives:
Ready to donate? Go for it!
http://www.theclarionfoundation.org/writeathon/wrtn-writerpage.php?writerID=6880

Of course, you're also free to support the other fine writers also participating. Your entire, tax-deductible amount goes directly to the non-profit Clarion Foundation, which runs annual workshops to train the best and brightest new talent in speculative fiction. We writers are participating to help this genre flourish and grow, and we hope you'll donate because you want the same.

Thanks in advance!

EOF